Blending Board Beginners
Jonathan >
We recently bought an Ashford Blending Board – as an alternative to using traditional hand carders.
If we could have only one means to prepare fibre for spinning, then hand-carders would always be the right choice, since they can be used with almost any fibre. We’ve used them for everything from a raw unwashed fleece to blending dyed pre-dyed merino tops. A blending board isn’t suitable for fleeces, but is more efficient when blending tops. (If we’re spinning with just a single type of top, roving or sliver, then carding isn’t necessary at all – whether with carders or a blending board : all that is required is to pull off a length of fibre, and spin directly from that.)
Until we got back from Navarra, about six weeks ago, we were absolute Blending Board Beginners. Since then, we’ve been on a really steep learning curve, exploring the minutiae of making practical and efficient use of the board. I say ‘we’, but as Denise has now handed over to me the mantle of spinner-in-chief, it’s been me taking the initiative, and sharing what I learn with Denise.
For those unfamiliar with this method, these are the steps that I’ve adopted.
The Uist Landscapes yarns that Denise produced enormous quantities for about fifteen years were all made using traditional hand-carders. Denise says that it worked well for her, because she could vary the mix of colours loaded onto the carders each time, whilst still maintaining a consistent mix over the longer term. I think that’s remarkable, but unfortunately my brain is wired differently, and I need a formula and a method that I can obectively measure and control : that’s the engineer in me. The blending board suits me well (when working with tops, that is) because the quantity of fibre loaded onto the board is sufficiently large as to ensure that the amount of any individual colour/fibre can be pulled off the source top (which in most cases can be measured by length – avoiding the need for weighing scales). The tops of each fibre or colour are broken down into thin strips fibre, if possible the full length of the board, and distributed spontaneously – though with an eye to maintaining consistency. It’s my nature to want each step to be objectively measured, but I have to try and resist that, otherwise I might as well give up the handspinning and invest in a factory!
[D > Jonathan, did you realize that one of your photos is out of focus? J > It’s not out of focus, it’s called motion blur : I was working so fast … ]
English
Basque
Chinese (Simplified)
Chinese (Traditional)
Dutch
Finnish
French
German
Irish
Italian
Japanese
Korean
Polish
Portuguese
Scottish Gaelic
Spanish
Welsh
I should add here that I like your “Pumpkin Pie After Eight” very much! Its delicious! Lol
Isn’t playing with color ever so much fun?!! I can tell that you seem to be enjoying yourselves!
I do much the same sort of thing with my drum carder. I put strips of fiber in different colors onto the drum, brush it down a bit and then use some slender dowel rods to pull off the colored strips as faux rolags. Its very enjoyable and so rewarding!
Lately, I have been on a mission; processing various Romney fleeces to spin for weaving. So no faux rolags for me right now! I am planning a whole outfit using worsted and semi-worsted handspun yarns.
D > The first fleece that I ever spun (J shared it with me) was a Romney : but that would have been a UK type Romney, as it was actually from Romney Marsh itself! We loved spinning that fleece, and in many ways I think that Romney is the perfect all-round hand-spinners yarn : not flat and straight like Merino, a little bit woolly – enough to give warmth and bounce but not enough to make it too warm ; a modest crimp to give it a bit of life ; lustre to brighten the white and cheer the eye, and enough length to make spinning a delight, not so long as to make it a chore. And, finally, it is very adaptable, working well as woollen-spun, worsted spun, and – most commonly, semi-worsted spun. Yup, a favourite!
Lovely, lovely! One of my favorite things is blending different fibers and colors on the drum carder. I like the blending board you have, don’t have one myself , but may have to invest in one!
I love seeing the different steps in the process! I approach the world more like Jonathan–I can see how the blending board gives a measure of control that would appeal to me, too.
Fascinating to see what you produce on the blending board – though I have to say that I’m with Denise and prefer to hand card!
I love my blending board. And hand cards. That is all I have for carding or blending.